H. Seyranyan’s published photographs are all news-based reportages. His documentary shots of sports events and industrial works can be found in a number of Soviet-Armenian periodicals and are of purely archival, socio-historical insterest. The photographer’s name does not appear in the press after the early 1960s, which leads us to assume that he had retired from photography at this point.

Vigen Galstyan, 2016