Several of Kamo Gevorgyan's landscape photographswere published in Garoun (Spring)magazine in the 1970s and 1980s. They are fully autonomousexperiments inan impressionist key. The author of these black-and-white images was most likely a photography amateur and practiced the medium without any professional aspirations. No other information regarding Gevorgyan’s life and work has surfaced during our research.

Vigen Galstyan, 2016