Haig’sstudio operatedin the 1920-30s, at 11 Rue Gare du Caire, in Alexandria. This central districtwas full of Armenian and European-owned businesses and most of Haig’s clientele stemmed from these sections of Alexandria’s multiethnic population. The studio primarily took on portrait comissions which are tastefully donebut do notdiffer from theconventions that typify the production of other local photo-pavilions. Biographical details pertaining to Haig have not come to light.

Vigen Galstyan, 2018